William Boyce – Symphony No. 5

William Boyce (1711–1779) was one of England’s most prominent composers during the 18th century. Symphony No. 5, part of his set of eight symphonies, exemplifies the elegant, tuneful style of the period. Boyce’s symphonies combine British ceremonial grandeur with the influence of continental masters like Handel, whose music Boyce much admired. In this concise, lively work, you’ll hear well-crafted orchestration and graceful melodies. Boyce’s symphonies became popular for their clarity and spirited invention, remaining staples of classical repertoire, especially for British orchestras.

J.S. Bach – Cantata 11 “Praise our God” (in English)

Johann Sebastian Bach (1685–1750) composed Cantata No. 11, also known as the “Ascension Oratorio,” in 1735 for the Feast of the Ascension. Unlike many of his sacred works, this cantata stands halfway between oratorio and cantata, containing choruses, arias, and recitatives. The selected chorus, “Praise our God,” radiates joyful celebration through its festive orchestration and choral writing. Presented here in English, the music brims with the optimistic spirit and intricate counterpoint for which Bach is renowned.

Handel – Messiah (Excerpts)

George Frideric Handel (1685–1759) wrote Messiah in 1741, and it quickly became one of the most celebrated choral works ever written. Tonight’s selection includes pivotal excerpts from Part I and Part II:

• There were shepherds / And lo! The angel / And the Angel / And suddenly: The famous Nativity sequence, featuring exquisite dialogues between soloist and chorus, recounts the angel’s message to the shepherds.

• Glory to God: A jubilant chorus erupting in praise, celebrated for its majestic, uplifting character.

• Rejoice greatly: One of the most well-loved arias, demanding virtuosic agility and conveying the joy of the Messiah’s coming.

• Hallelujah: Universally recognised, this chorus closes Part II and is legendary for its powerful declaration of “King of Kings, and Lord of Lords.”

Handel’s genius lies in his ability to blend dramatic narrative with expressive melodies and stirring choruses, making Messiah a perennial concert favourite.

Handel – Coronation Anthems

• My heart is inditing

• Let Thy hand be strengthened

• The King shall rejoice

• Zadok the Priest

Written for the coronation of King George II in 1727, Handel’s four Coronation Anthems remain symbols of royal pageantry and English choral tradition.

• My heart is inditing: Majestic and lyrical, suitable for the Queen’s part of the coronation.

• Let thy hand be strengthened: Emphasises qualities needed for sovereignty, set with stately vocal lines.

• The King shall rejoice: Filled with jubilant energy, echoing the triumph of crowning.

• Zadok the Priest: Perhaps the most famous, commencing softly before building to an electrifying choral climax, this anthem has been performed at every British coronation since its premiere.

Handel’s music for these royal occasions is grand yet richly expressive, filled with memorable tunes and dramatic contrasts that continue to inspire awe in both performers and audiences.